Category: Writing

  • Tips for Creating Memorable Fictional Characters

    Tips for Creating Memorable Fictional Characters

    If we writers had crystal balls, we’d have no problem creating memorable fictional characters. Especially when writing short stories and flash fiction.

    But how do I, as a woman, actually know what a guy thinks or feels? Yes, men and women are both human and share many similarities … but, let’s face it, everyone knows they’re different, too.

    In this blog post, I share some of what I learned during the process of co-writing a mystery novel with my friend Herb, and from collecting the opinions of numerous writers over the years.

    Creating Memorable Fictional Characters
    Image by Omar Medina from Pixabay

    Creating Memorable Fictional Characters

    They say to write what you know. But what do I know about being a guy? Or what goes on in the minds of men?

    Another challenge I’ve faced throughout my writing career is to create characters who don’t sound just like me. That challenge is magnified when I’m writing male characters.

    Cowriting with my buddy Herb is, without a doubt, one of the best learning experiences of my writing career. During our collaboration co-authoring a mystery, and throughout the process of critiquing each other’s’ works-in-progress (WIPs), he’s given me insights I wouldn’t have had on my own.

    In short, each of us wrote from the point of view (POV) of specific characters in the book—both male and female. Because each of us has a different background (me with insurance and he with law enforcement and the military), we were able to provide further insight into how our characters would/should behave and talk.

    Quick Quiz

    Can you tell which character (Karl and Stephanie) spoke each of the following lines of dialogu?

    Line 1

    Ed’s boat went down in a storm three days ago. He’s–he’s–gone.”

    Line 2

    Gone? Ed? Three days ago?

    I’ll bet you could. Line 1 is Stephanie and Line 2 is Karl. Read on to learn some of the characteristics that set male and female characters apart.

    Image by 🌸♡💙♡🌸 Julita 🌸♡💙♡🌸 from Pixabay

    The Differences Between Men and Women

    In the controversial but fascinating book, Dangerous Men and Adventurous Women, more than a dozen best-selling romance writers spell out many of the differences they note between men and women. I agree with the perspectives of many of these writers. Specifically, with respect to the manner in which men and women speak, I’ve learned and observed the following generalizations:

    • Although everyone will tell you that women talk more than men do, this isn’t always the case. In fact, a study shows it’s only true in a certain age group.
    • Women ask more questions than men do.
    • Men interrupt more often than women do.
    • Women tend to be specific and men tend to be vague. Just ask a woman and a man what color that dress is. The woman will say mauve and the man will say pink. Or purple.
    • Men are more apt to give orders and women are more apt to make suggestions.

    So, you may be wondering, what does this have to do with creating memorable fictional characters? We need to focus on these differences and incorporate them into our characters’ dialogue and behavior.

    Photo by Susan Holt Simpson on Unsplash

    Devices for Creating Characters

    One tool I’ve found useful is to maintain a spreadsheet or chart of the characters in the story or book I’m writing. In it, I list unique manners of speaking and traits for each character while ensuring that no two characters share the same physical gestures, buzz words, etc.

    In the book I’m writing now, Allie is my lead character. She tends to use long, flowing sentences and think deeply. I don’t allow any other characters to use certain words and phrases that she does, such as:

    • Still, though, given, sure, ditto, yep, nope, nah
    • In fact, no kidding, then again

    Willa, a secondary character, speaks and thinks in shorter, more direct sentences. She’s the only character who uses the following words and phrases:

    • Yes!, despite, now, sweetie, however
    • On the other hand, bit my tongue

    I also make sure that when Allie describes people and objects, and just generally inside her head, she uses words and connections with sound and smell. (She’s auditory.) On the other hand, Willa’s awareness is primarily visual. However, they both have a connection with scent that runs through the story.

    Why Showing Differences is Important

    By using separate and distinct qualities and manners of speaking, it’s easier for the reader to (a) identify which character is speaking, and (b) identify with the character herself. By allowing the characters to share a similar trait, I’m able to subtly build the connection between the two women.

    One of the best strategies I use when writing from a male perspective is to ensure that much of the character’s conversation and internal thought is short and to the point. I’ve found that men tend to use less description in their talk, less reference to emotion, and fewer words.

    Here are some examples from Death Benefits, the book Herb and I wrote together. Note how the male and female characters speak differently. See if you can guess which of us wrote which excerpt.

    Excerpt 1

    “Glad to meet you, Mrs. Tito. Um, Stephanie. I’m Karl, Ed’s friend, and I’m in town now. Is Ed home?”

    “Karl?”

    “Yeah, Karl Stryker. Ed’s Army buddy. I want to come by and shoot the … meet up with Ed.”

    After a long pause, the woman wpoke very softly. “You haven’t heard.”

    “Heard what?”

    “Ed’s boat went down in a storm three days ago. He’s–he’s–gone.”

    “Gone? Ed? Three days ago?”

    Excerpt 2

    Manny pulled a notebook from his jacket pocket. “What does this guy look like?”

    She closed her eyes. “Late thirties? Longish blond hair, blue eyes, and clean-shaven. Moved like an athlete. Had a nice, open smile.”

    He could always count on Ann for the details. “How tall?”

    She opened her eyes and grinned. “Taller than me, shorter than you.”

    “Ann.”

    “My eyes were level with the crooked knot of his tie.”

    Creating Memorable Fictional Characters

    To sum up, here’s a chart that contrasts many of the ways in which men and women behave and speak differently. Of course, these are generalizations and each individual man and woman will behave uniquely.

    MENWOMEN
    Find life to be a competitionFind life to be a cooperative effort
    Socialize with other men to DO things togetherSocialze with other women to talk about their FEELINGS and thoughts
    Make decisions about what they plan to do; seldom offer explanationsSay what they want to do and offer the reasons why
    Make statements (they’re direct) *Ask questions and make suggestions (they’re indirect)
    Body language isn’t always congruent with what they’re thking and feeling (e.g., they’ll avoid eye contact or turn away when emotional)Body language usually congruent with how they’re thiking and feeling (e.g., they’ll cry or talk when emotional)
    Seldom initiate or choose to discuss their emotionsOften enjoy and invite emotional conversation
    Learn how they feel by thinkingLearn how they feel by talking
    Interrupt *Take turns
    Ask questions to obtain details and information *Ask questions to continue talking
    Vague (the color is blue)Specific (the color is indigo)
    Rarely use other people’s names in conversationOften use other people’s names in conversation.

    FYI, I inserted an asterisk [*] in the Male column above to show traits I share with most men. Also, FYI, all the Female traits apply to me!

    Share your thoughts below and/or feel free to add your suggestions for additions to the list!

  • 3 Research Tips for Writers

    3 Research Tips for Writers

    We’ve all heard that “knowledge is power” and I’m all in when anyone provides research tips for writers. Before the use of technology and the Internet became my primary assistant when conducting research, I spent a LOT of time:

    • In libraries
    • Purchasing and thumbing through books and magazines
    • Conducting face-to-face interviews

    Now, I do the majority of my research online and I’m happy to share 3 research tips for writers:

    Fiction writers: naming characters

    When I create my characters’ names, I prefer them to have meaning tied to the individual character. For example, I know the name Blanche (or Blanca) is entirely inappropriate for a dark-haired woman but perfect for a blonde (or white-haired senior). But that’s only if I’m thinking about her appearance. If I’m thinking about the condition of her soul (as in pure), it would also work … and if I chose it for that reason, I’d probably spell out that her name represented her internal qualities rather than her looks.

    Being an auditory person, I like first and last names to “go” together. To sound right. Alliterative names appeal to me, but sometimes they can be too cutesy or over-the-top (e.g., Debbie Downer, Joan Bone). I like my characters’ first and last names to share at least one consonant (e.g., LiNda McHeNry–which is my real name, by the way) or one obvious vowel sound (e.g., AmY GradY). I also want the number of syllables to sound right. Bartholomew Mountbatten is alliterative but it’s a mouthful. IMO, Bartholomew Bing sounds better.

    Finally, getting ethnicity right is very important. I’ll never forget reading an article written by a bestselling author about this topic (although I can’t remember the writer’s name!). She chose a last name for her Chinese protagonist based on a number of considerations. Problem was: the name she chose was Japanese. None of her beta readers, nor her editor and agent, ever noted this inconsistency. Worse: MANY of her readers did, as evidenced by her [non-]fan mail!

    Here are two websites I find helpful when namng characters:

    • Looking for an age-appropriate name for Grandma or a teenager? The Social Security Administration has tracked the most popular baby names by year of birth. You can find it here (be sure to scroll down far enough): https://www.ssa.gov/OACT/babynames/
    • Looking for a site that lists BOTH first and last names alphabetically AND by ethnicity? This is your new go-to site: https://www.behindthename.com/

    online research tips for writers

    In no special order, here are important considerations when conducting online research:

    • NEVER rely on a single resource. Why? Because none of us is perfect and none of us knows everything. When relying on sources I find on the Internet, I don’t cite information as a fact unless I’ve verified it by at least 3 sources. My go-to number of sources is usually 5.
    • ALWAYS choose unbiased sources. For example, if I were looking to buy antivirus software for my computer and smartphone, I wouldn’t go to the websites of McAfee or Norton. Why? While each company certainly knows more about its own product than anyone else does, each company is also prejudiced in favor of its own product. When researching anything to do with technology, I rely on sites such as PCMag.com, CNET.com, and TechRadar.com. Why? They’re in the business of writing about and reviewing technology, not manufacturing or selling it.
    • NEVER rely on Wikipedia for facts. On its website, Wikipedia clearly states that just about anyone can write and edit content on the site. I’ve personally researched insurance topics on this website and, in each article I ever read, noted incorrect information. Depending upon the subject matter you’re researching, seek out sources that are unbiased and qualified. If you’re not sure how to do that, simply enter a search phrase such as: best online resources for XXX. In the case of finding an alternative to Wikipedia, you might want to type: best alternative to Wikipedia.

    for all writers: Validating sources

    Here’s a list of cautionary advice–make sure that any source you use–online or in person–is reputable and credible.

    • Verify the source’s background and history in connection with the subject at-hand. Most websites contain this information. If a site doesn’t, be wary.
    • Search for reviews and online pieces ABOUT your source.
    • Determine if the source has any bias or personal interest in the subject at-hand. If so, I recommend either disregarding the source or using at least half a dozen sources you know are impartial. Why? It’ll help you see how this one lines up in the scheme of things.
    • If the source provides evidence, facts, or supporting opinions, check them out to be sure they truly exist and are verifiable.
    • Avoid statements presented as facts without any supporting evidence or sources. Do you believe everything you read in a resume, online dating profile, or social media feed? I hope not.
    • Make sure the information you’re using is current. I can’t tell you how many articles I’ve read about the subject of insurance that appear to be current … and were written 10 or 20 years ago. Sure, the content doesn’t use dates, but references to what was going on in the world (like the September 2011 attacks) clearly date the piece and spotlight that the economy referred to in the article has changed.
    • Here’s a Forbes article that offers additional insight: https://www.forbes.com/sites/averyblank/2021/01/19/5-ways-to-identify-reliable-sources-and-maintain-your-credibility/

    Bonus: a Few writerly resources

    In addition to the resources I’ve provided above, here are a few more that you writers might find helpful:

    Keep in mind, I am not related to any of these people/businesses/sites, I’m not paid by them, don’t make payments to them, and I’m simply offering this info out of the kindess of my heart.

    I do subscribe to Writer’s Digest and am a member of The Author’s Guild, Mystery Writers of America, and Romance Writers of America because I benefit from membership in each of them. You may … or may not. Check out the list of major writer’s organizations above if you think one of them might benefit you.

    Feel free to share your favorite resources. Don’t hesitate to reach out if you have any special questions about how I conduct research.

  • Writer’s Block: Unsticking Yourself

    Writer’s Block: Unsticking Yourself

    I’ve found myself stuck on occasion–otherwise known as staring writer’s block in the face. I’ve tried lots of ways to unstick myself, thought I’d found the best, and just discovered the ultimate. Read on and be amazed…

    What being stuck looks like

    For me, writer’s block isn’t the inability to write; I can always write something. The block part comes when I can’t write something GOOD–otherwise known as brilliant, inspiring, or exactly the opposite of the boring, uninspiring trash I just wrote.

    Many years ago, a writer friend of mine (Nancy Harwood Bulk, who has since passed away), gave me some excellent advice. She said that if you hit a snag in your plotting, or you don’t know how your character should respond, make a list of options. And never use the first ten or twenty of them. Her take was that the first things that came to mind would also come to the mind of the reader and, therefore, were a death knell to good fiction.

    I’ve been using that advice for a long time. And, I’m sorry to say, it hasn’t helped me craft the opener my new book. (Which I’m pantsing, by the way. First time for everything.) In the past two weeks, I’ve rewritten the opener about eight times and changed the starting point as many times. I’m nearly bald from ripping my hair out.

    Image by luxstorm from Pixabay

    What getting unstuck looks like

    Because what we writers do when we hit a snag is conduct online research and become embroiled in procrastination, I began searching for creativity tips. Lo and behold, the creativity gods smiled and pointed me in the direction of my latest treasure. In turn, I’m sharing it with you.

    You’re welcome.

    After following this guy’s advice I completely turned around my block and have a TON of excellent ideas to work with … and already started putting them into action. I share the link three paragraphs down.

    My first go-to for any advice about writing is Writer’s Digest and it had some great articles. If you don’t already have a subscription, get one. The online version is much less expensive than the paper/mailed version. I get both.

    I stumbled across several by Jane Friedman, whom I love, which prompted me to visit her website. And that’s where I struck gold. FYI, I don’t know her, never met her, and am not being compensated in any way for this recommendation. She’s just too good not to share.

    Jason Keath wrote an article on her website in October of last year, which I obviously missed. Clearly, Karma knew I’d need it more now than I did then … and that you would too. Bad Ideas for More Creative Writing (https://janefriedman.com/3-bad-ideas-for-more-creative-writing/) contains three different tips:

    • The Bad Idea Method
    • Constraint Questions
    • The Fast & Ugly Draft

    The Bad Idea Method worked for me and is now my new go-to. How do you get unstuck? What do you think of Jason’s ideas?

  • Are You a Pantser, a Plotter, or BOTH?

    Are You a Pantser, a Plotter, or BOTH?

    What do I mean when I ask:

    Are you a pantser, a plotter, or both? When you write, do you fly by the seat of your pants, outline all the plot details before hand, or use a combination of both techniques?

    I’ve always been a plotter, which was extremely helpful when I wrote my nonfiction book. Also, it helped immeasurably when I developed and wrote hundreds of insurance continuing texts and courses (online, classroom, and webinar). As a novelist, being a plotter has also been helpful. Now, however, I’m writing my first novel on a pure pantsing basis.

    Of course, that statement is made tongue-in-cheek because, let’s face it, while the fuel of my fabrications is imagination, if I come up with a great idea for a future line of dialogue or scene I’m definitely writing it down. In a literal sense, even the most devout of pantsers has to engage in SOME plotting!

    So, here’s what I’m doing now…

    At this moment, I’m thinking it’s absolutely essential for me to know how my book is going to end. Specifically, whether my lead character achieves her goal and how she’s grown and/or become a better person. So, I guess that’s plotting. I also think that if flashes of insight strike me as I’m writing (and they’re doing so), I’ll plan for them by sketching them into a loose outline. That’s also plotting.

    But as far as everything else goes, I’m winging it! Definitely pantsing.

    I attended a terrific plotting workshop presented by Gayle Lynds at a writer’s conference a couple of years ago and my big takeaway was that plot derives from character. So far, my pantsing/winging is going well.

    Yes, I know all the advantages of plotting—I’ve experienced them firsthand. On the other hand, I agree with many others that plotting too much, or too tightly, can sensor creativity and disallow deviations from the path already outlined.

    So, are you a pantser, a plotter, or both?

    What are your personal experiences? Do you have any tips? Successes? Less than desirable consequences we should know about? Let us know!

    As always, here are some resources:

    Well-Storied: https://www.well-storied.com/blog/a-pantsers-guide-to-story-structure

    Jane Friedman (one of the few people I love without having known/met her): https://janefriedman.com/panster-or-plotter/

    Writer’s Digest: https://www.writersdigest.com/whats-new/jan-29

  • What Do Writing Fiction, Watercolor Painting, and Crystals Have in Common?

    What Do Writing Fiction, Watercolor Painting, and Crystals Have in Common?

    To answer the question, what do writing fiction, watercolor painting, and crystals have in common? the answer is: ME!

    I’m finding myself seeking something different from Social Media these days, something more in line with what matters to me. I know that sounds selfish (because it is) but maybe you feel the same way.

    Now that I’m semi-retired and able to spend more time doing what I love (writing fiction, watercolor painting, and crystals), I find that I prefer to “chat” with people who share the same interests. A flash of inspiration struck, so I’m now prompting conversations on these (and other interesting to me) topics on my blog over at https://lindamchenry.com/blog.

    Feel free to head over and join in the exchange! Some of the conversations appearing soon include:

    • What’s Your Favorite Type of Crystal/Gemstone? (posting at noon on Monday, 2/3)
    • Are You, or Someone You Know, a Highly Sensitive Person? (posting on Friday, 2/7)
    • Are You a Pantser, Plotter, or BOTH? (posting on Monday, 2/10)
    • Sometimes, Do You Just KNOW? (posting on Friday, 2/13)