Linda McHenry
Thanks to all of you who submitted votes for your preferred version of the new book cover for Taking the Mystery out of Business. I received lots of input, and truly appreciate it.
As you can see, the blue cover was the favorite, followed by the green cover.
Stay tuned for the book’s release date. April is coming soon…
Cover by Shawn Jewett. Feel free to reach out to me if you’re interested in him doing any artwork for you!
Many thanks to cover artist, Shawn Jewett, for designing the cover for the 2nd edition of Taking the Mystery out of Business, which will be released in mid-April. I can’t decide which color I like best, can you help me decide? I’ll announce the “winning” book cover late in the day on Wednesday, March 18th.
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What’s YOUR favorite color … blue or red or green?
Because I’ll be unveiling the book cover for the second edition of Taking the Mystery out of Business on FRIDAY and I can’t decide which color I like the best.
On any given day, I’ll generally pick red or green, but I REALLY like the blue cover. So, now I’m having an especially difficult time making up my mind.
Of course, the cover artist (Shawn Jewett) does such beautiful work, it would never been an easy process to pick just one.
Check back here on the blog, or on any of my Social Media accounts (LinkedIn, Twitter, and Facebook) on Friday to vote for your favorite version of the book cover.
I find myself using the word very lately, as in something is very important or very stupid. (I also use really in a similar fashion, and actually, but I’m going to stick with very today.)
If something’s important (or stupid), how does does very make it more so? Aren’t the words important and stupid explicit enough on their own without having to define degrees of importance and stupidity? Grammatically speaking, how correct is it to modify an adjective with another adjective?
Why do we use adjectives anyway? Sure, the red car distinguishes it from the blue and green ones but why do we have to say the green grass? Yep, in places like Montana grass turns dirt brown in the dryness of summer but, otherwise, it’s green … and don’t we all know that?
Same thing with adverbs. Yes, the earth spins slowly on its axis. I suppose it might be important to stress the fact to someone who’s very stupid but, really, how many people are so stupid they think the earth spins quickly on its axis? And if someone were that stupid, why would you be talking about the earth’s axis anyway?
All kidding aside, I understand the value of adjectives and adverbs. I’m just practicing a more judicious use of them lately.
What are your thoughts about the little buggers?
After posting my last blog post, Francis Powell reached out to me from across the pond to share his take on short stories. Powell was born in England and currently lives in France, where he writes prose and poetry. This is what he had to say:
Short Stories
Like a thirty second advertisement, with a short story you have to pack a lot of information into a short space. You need to put an explosive first sentence that grabs the reader’s attention right from the off and immediately grabs their attention.
I have read short stories that are fairly abstract, but my short stories can have a variety of characters and a strong defined theme that runs through them. There is dialogue and a certain amount of description. Everything has to be concise and the stories can’t go off on any wild tangents, which is not the case with novels, where maybe one chapter can be totally different from another.
There are advantages to short stories. The writer can put a lot of energy into the story and it can be written in a morning or afternoon, during a period when the writer is inspired and has an urge to externalize an idea that perhaps popped into their heads. A writer of short story can imagine the beginning as well as the end of the story, right from the off. There can be a lot of freshness and spontaneity with short stories.
People might see a short story in the same way that people in the world of art might see a sketch as opposed to an old painting. A lesser creative art form.
It is true to say that a writer can develop their style by starting off by writing short stories. This was how I developed. When I first attempted to write, I tried to write a novel. It was a disaster; I lacked the skill and technique. It was through writing short stories that my style developed.
I remember as a child reading short stories by Roald Dahl, who produced a considerable number of short stories. What struck me was that he always placed an unexpected twist at the end of his stories.
I guess most genres work with short stories, but horror stories in particular seem to being more successful, with “The Raven” by Edgar Allan Poe often being praised as a great work. MR James is often considered as a forerunner of the great horror writers that would follow.
Women have contributed some great horror stories, such Daphne du Maurier, who provided the ideas behind three Alfred Hitchcock films. If you have seen a memorable and extremely disturbing film called “Don’t Look Now,” which stars Julie Christie and Donald Sutherland, perhaps you are unaware it originated from a Daphne du Maurier short story.
For the reader, the advantage of short stories or collections of short stories is that they are not lumbered with long stories which they feel obliged to finish. They offer different tastes and flavours, like an array of hors d’oeuvres.
Publishers might frown at short stories, because they imagine that they don’t sell like novels do. My advice is if you are not reading short stories, try it, I am sure it will be a most rewarding.
Powell’s latest release, Adventures of Death, Reincarnation, and Annihilation, explores the inevitable unknown that lies before us all at “death.” It is the subject of a book tour and giveaway between now and March 18. Check out the book tour here: https://www.silverdaggertours.com/tour-sign-ups/adventures-of-death-reincarnation-and-annihilation-tour-sign-ups